28 Comments
User's avatar
Christine Gray's avatar

If an ethnic actor is cast to play a historical role that should be played by a white person, it makes a farce of our history. History should be portrayed authentically as young people often learn from productions and it is distorting our past for the sake of DEI and inclusiveness. The same goes in reverse - it would be absurd if white people were cast as African tribes. Where does this ridiculous nonsense end?

Si's avatar

When blacks actually accept that they aren't al that they like to think they are. They've offered a great deal less towards the development and advance of civilisation than white, Europeans in particular. Most of us are ok with it, we don't hate them for it. They played some pretty important roles in where mankind has come to and we appreciate their limited efforts. They have certainly played a huge role in us accepting cultural difference, we wouldn't ever to have do it without them. They just need toget over themselves, ego is ugly. Blacks need to get over theirSEEING NEED TO EXHIBIT THIS UGLINESS

Ruth Harris's avatar

I didn’t notice colour before BLM & BBC crap. Now I notice it. And I don’t like what I see my country turning into to.

Alkaiah's avatar

Musk is right... once you stray from ‘history’ and how something was written, you're done… especially such a classical piece. Nor was Damon IMO a good choice. But imagine the uproar, if Zulu was remade and all the zulu warriors were played by white guys and the director argued, well, there were white south africans around at the time and now… imagine the cries of racism and imperialism that would come up…

Keith's avatar

Yep, I couldn't argue with any of that. Colin teased apart various threads that are often bundled together. The examples he used from film, TV and advertising were marvelously illustrative of the mindset of the people who serve up our entertainment. Great post.

Mike Lynch's avatar

They just shouldn’t do it. It is the bigotry of low expectations anyway and very patronising toward blacks. As an Irishman I’d hate it if they did that to us. You can imagine them trying to do a film of the famine where they’d have Africans playing the starving!

J Robinson's avatar

brilliantly expressed as usual.

what makes me truly sad is that by the day i am in fact becoming a lot less tolerant.

tonight I am going to see a mixed race Eliza Dilittle, i will try to bear in mind that it is fiction 😉

finally, if i lived in Nigeria, for example, would i expext to see white people in adverts? No I would not.

Peter D.'s avatar

I gather that Eurowide Main Stream Media inc film t.v.etc were gathered in Finland(I think) in the past few years and were 'instructed' on highlighting inclusion in nearly everything they produced..the hand of the EU all over this symposium..

which makes sense if the continental demographic is in the process of being changed..radically..

lo &behold it's happening..

Andrew's avatar

I’m slightly disappointed by Colin Brazier’s approach. Too much stress is placed on historical accuracy to justify criticism of the box-ticking diversity of the Odyssey’s casting. It leaves him completely powerless in the case of the majority of the characters.

Because I do have a problem with the several fictional characters cast as black. It is the most on-the-nose expression of Hollywood’s sanctimonious worldview (and likely the result of the Academy Awards’s diversity criteria). It is a provocation, and you are being dared to object. It is the same phenomenon that led to over half of actors in British television adverts being black - a simply preposterous over-representation that now causes me to grimace every time I see one.

It is a more difficult argument to make, but we should be saying instead that we want casting completely depoliticised. Let it be genuinely colour-blind (except when something is intolerably anachronistic) and stop trying to engineer your desired ethnic colour palette in what amounts to propaganda. In those circumstances, hard as it may be to accept in this decade of over-saturation, I would genuinely be content to see Winston Churchill played by an exceptionally charismatic black actor.

Andrew's avatar

I posted the above before Brazier reached his criticism of advertising. He says that the over-representation is not the result of a conspiracy to make Britain seem more diverse than it is, but I think it’s well-established that there are semi-formal quotas in the advertising industry, enforced by lobbying groups. Part of their goal (and that of the British left more generally) is to demolish the idea that Britain is any meaningful sense a white country.

I’m left wondering quite what Brazier’s point is. He agrees with me that contrived casting is patronising, annoying and propagandistic, but still believes Nolan’s casting was justified.

Keith's avatar

'He [Brazier] agrees with me...' is an odd way of putting it. It's usually the other way around since you know who he is and heard him first while he doesn't know you from Adam.

Claiming Brazier thinks the casting of The Odyssey was justified might be overstating the case. I think he would say that there aren't such strong grounds to be upset as there are for historical figures. I think his position is that Musk overdid it, not that he was completely wrong.

Andrew's avatar

You have a narrow understanding of that phrase, then. I meant no self-aggrandisement by it. It resulted from the peculiarity of commenting on a previous comment to acknowledge that Brazier went on to say what I had implied he hadn’t.

Keith's avatar

That final sentence was too tortuous for mere mortals to understand.

But another weird quirk of that comment of yours:

"I posted the above before Brazier reached his criticism of advertising".

Er, no. "I posted the above before I LISTENED TO Brazier reach his criticism of advertising". He had already reached it but you hadn't yet listened to it.

Andrew's avatar

I take great exception to being parsed by someone so mediocre.

Philip Silkoff's avatar

Of note, current day Egyptians are not in general the same race as ancient Egyptians, if I am not mistaken.

Alkaiah's avatar

Correct. The Coptics/Alexandrians are considered the true direct descendents. Hence in part why they are largely persecuted by islamists to this day, as well as their adoption of coptic christianity...

Keith's avatar

Colin actually said that Cleopatra was a Ptolemy, who came from Macedonia i.e. European. But you could probably say the same about pretty much every country e.g. Brits from 4,000 years ago were not the same as Brits today.

User's avatar
Comment deleted
Jul 17
Comment deleted
Keith's avatar

Surely they are persecuted because of their religion, not because they are direct descendents of ancient Egyptians. I think they could have arrived in Egypt yesterday and Muslims would still hate them as much.

Eddie Edwards's avatar

Yes it does, because anything else is a lie.

Sandy Richardson's avatar

I agree in fact I’ve never seen a white actor playing Nelson Mandela or Martin Luther King.

Gail's avatar

Does it make a difference? It wouldn't if there wasn't a deliberate effort to push a white guilt agenda.

The storyline of Roots was historic, but the character, Kunta Kinte was fictional. Imagine if he had been played by Ben Affleck in a remake. Imagine all you like. Black Americans would be furious. Rightly so.

Douglas White's avatar

No, if Moana live action must ensure cultural integrity so should the Odyssey.

Neil's avatar

cast a Chinese guy to play Einstein and hear what happens

Frank Kelly's avatar

I haven't seen this yet, but the decision to change the skin colour in prominent roles seems like changing the story.